My Book

Possession: The Curious History of Private Collectors (Yale 2016).

Pieces about Guantánamo

"The Guantánamo Spot: Exhibiting Detainee
The Point, Spring 2019.

Review of Debi Cornwall’s Welcome to Camp America: Inside Guantánamo Bay, Zeke: The Magazine of Global Documentary (Spring 2018).

"Op Ed: Art Censorship at Guantánamo Bay," New York Times (November 27, 2017).

"The Art of Keeping Guantánamo Open," Salon, December 5, 2017.

"Art from Guantánamo," Paris Review Daily, October 2, 2017.

Ode to the Sea: Art from Guantánamo, catalogue for the exhibition "Ode to the Sea: Art from Guantánamo," President’s Gallery, John Jay College (2017).

Pieces about Academia

"How to Survive a Media Blitz: An Academic's Guide," Chronicle of Higher Education, June 3, 2018.

"Your Kids Can Help You Be a Better Professor," Inside Higher Ed, March 23, 2017.

"The Scholar on the Set," Inside Higher Ed, July 5, 2016.

Pieces about Collecting

"Collecting and the Power of Touch," The Ancient Near East Today, August 2016.

"Why People Collect Art," Aeon, August 23, 2016.

"William Hamilton's Prize Possession," The Art Newspaper, June 2016.

"J. Paul Getty's Motivations for Collecting Antiquities," Adalya (2016).

"Just Give Him What He Wants," The Nature of Our Ruin, February 19, 2016.

"'But We Didn’t Steal It:' Collectors' Justifications for Purchasing Looted Antiquities," Journal of Art Crime (2015).

Encyclopedia Articles

"Destruction of Art," Oxford Encyclopedia of Aesthetics, 2014.

"Market for Antiquities," Oxford Art Online, 2018.

"Black Market for Art," Oxford Art Online, 2018.

Personal Essays

"My Father, the Wheelchair Racer," The Examined Life Journal (2019).

"The Professor," Eidolon, November 26, 2018.

"Pigweed," The Coil, September 4, 2018.

"Reading Roughly," Ploughshares Blog, June 10, 2018.

"Palmyra in Winter," The Kenyon Review (July/August 2017).

Opinion Pieces

"Review: Whose Blood, Whose Treasure?," Los Angeles Review of Books Blog, May 21, 2019.

"Law Schools are Failing Students of Color," The Nation, June 5, 2018.

"Museums Should Consider Why They've Become Targets of Attack and Protest," Hyperallergic, June 11, 2018.

"Hobby Lobby's Antiquities Trouble," Sapiens, July 10, 2017.

"If We Return Nazi-Looted Art, The Same Goes for Empire-Looted," Aeon, July 5, 2016.

"Islamic State's War on Art Turns a Profit," Bloomberg View, May 18, 2015.

"Restrict Imports of Antiquities from Syria to Cut Down on Looting," New York Times, October 9, 2014.

"Egypt's Looted Antiquities," New York Times, May 30, 2014.

"To Protect Syria's Antiquities, Don't Buy Them," Los Angeles Times, September 29, 2013.

Pieces about Cultural Heritage

"The Stele of Various Victories: Thoughts on the Ethics of Digitizing Cultural Heritage" (forthcoming).

"'Official Fakes': The Consequences of Governmental Treatment of Forged Antiquities as Genuine during Seizures, Prosecutions, and Repatriations," Albany Law Review, 2019.

"Recreating the Past in Our Own Image: Contemporary Artists' Reactions to the Digitization of Threatened Cultural Heritage Sites in the Middle East," Future Anterior 15.1 (2018).

"Which Public? Whose Interest? Rethinking Merryman's 'The Public Interest in Cultural Property'," Art, Antiquity, and Law, December 2017.

"Legal and Ethical Considerations for Digital Recreations of Cultural Heritage," Chapman Law Review, Spring 2017.

"Successes and Failures of Self-Regulatory Regimes Governing Museum Holdings of Nazi Looted Art and Looted Antiques," Columbia Journal of Law and the Arts, 2013-2014.

"Cultural Losses and Cultural Gains: Ethical Dilemmas in WWII-Looted Art Repatriation Claims against Public Institutions," Hastings Communication and Entertainment Law Journal, 2011.

"The Relationship between Tax Deductions and the Market for Unprovenanced Antiquities," Columbia Journal of Law and the Arts, 2010.